Master of Performing Arts (MPA)

Classical Carnatic Music


Eligibility

  • Academic Route: Any undergraduate degree recognised by the UGC with a minimum of 10 years of formal training in Music or Dance.

  • Professional Route: Successful completion of Senior Grade Examination in Music or Dance from a recognised body.

  • Final-year undergraduates who meet the above conditions may also apply.

 

Overview

The MPA in Music & Dance is designed for students seeking to advance their artistic practice while engaging with theory, research, and performance at a professional level. The curriculum integrates traditional pedagogy with contemporary approaches, fostering both creativity and scholarly depth.

Students benefit from:

  • Theory and practice in each semester.
  • Department-specific electives, open electives, and certificate courses.
  • Training in communication and presentation skills.
  • Opportunities for impactful performances through productions, ensemble concerts, and individual recitals.
  • Research methodology training culminating in a Master’s Dissertation in the fourth semester.

Pedagogy of the Programme

  • Balanced Approach: Every semester blends theory with practical training.
  • Specialisations & Electives: Students select electives in music and dance, alongside open electives and certificate courses.
  • Performance Training: Classroom productions, music productions, ensemble concerts, and studio lessons prepare students for stage and industry.
  • Research & Analysis: Structured exposure to research methods enhances analytical writing, critical thinking, and academic publishing.
  • Soft Skills: Communication and presentation training strengthens confidence and professional readiness.

Alignment with National Education Policy (NEP) 2020

The programme reflects the NEP 2020 vision of inclusive, holistic, and flexible education. JAIN (Deemed-to-be University), known for academic excellence and innovation, has strategically embedded NEP principles through transdisciplinary learning, project-centric pedagogy, and a focus on research, innovation, and entrepreneurship.

Program code: 041
Course Commencement : Sep 2026

Study Campus

6th Phase, 319, 25th Main Rd, KR Layout,
6th Phase J. P. Nagar,
Bengaluru, Karnataka 560078
P: 080 4343 0400


Admissions Office

JAIN Knowledge Campus
#44/4, District Fund Road
Jayanagar 9th Block Campus
Bangalore - 5600 69
P : +91 73376 13222
P : +91 76763 86870

Curriculum Structure

  • Saṅgīta Śāstra I
  • History of Indian Music I
  • Introduction to Performing Arts
  • Academic Research in Performing Arts
  • Varnas
  • Manodharma Saṅgīta I
  • Guccha Compositions A
  • Guccha Compositions B
  • Introduction to Indian Knowledge System
  • Transdisciplinary Project-Centric Learning I

  • Saṅgīta Śāstra II
  • History of Indian Music II
  • Introduction to Mṛdaṅga
  • Manodharma Saṅgīta II
  • Viśeṣa Racanegalu A
  • Viśeṣa Racanegalu B
  • Laya Foundations
  • Saṃśodhana (Research Publication)
  • Transdisciplinary Project-Centric Learning I

  • Saṅgīta Śāstra III
  • History of Indian Music III
  • Music Production
  • Manodharma Saṅgīta III
  • Mṛdaṅga Concepts
  • Konakkol Concepts
  • Rāga Tāna Pallavi I A
  • Rāga Tāna Pallavi I B
  • Introduction to Music for Dance
  • Open Elective II
  • Internship
  • Transdisciplinary Project-Centric Learning II

  • Saṅgīta Śāstra IV
  • Introduction to Art Entrepreneurship
  • Concert
  • Manodharma Saṅgīta IV
  • Saṅgīta Saṃyojana A
  • Saṅgīta Saṃyojana B
  • Rāga Tāna Pallavi II A
  • Rāga Tāna Pallavi II B
  • Dissertation
  • Transdisciplinary Project-Centric Learning II

Course Highlights

  • Integration of traditional techniques and modern technology for holistic learning.
  • Masterclasses and lectures by experts in music and dance.
  • Opportunities to initiate student-led productions and participate in conferences, workshops, and concerts.
  • Development of:
    • Deep knowledge of Indian musicology.
    • Understanding of cultural and historical contexts across allied arts.
    • Ability to present full concerts and choreographic works.
    • Competence in creative music production and composition.
    • Critical analysis and review of performances.
    • Expertise in stagecraft, costume, lighting, and production management.
  • Mentorship by leading performers, choreographers, and scholars.
  • Research-driven projects that integrate dance and music with other disciplines.
  • Exploration of ethical, cultural, and spiritual dimensions of performance.

Career Enhancement Programs

Students gain access to Career Enhancement Programmes that expand professional horizons:

  • Industry-linked workshops and mentorship.
  • Cross-cultural exposure through projects and collaborations.
  • Training in entrepreneurship, production, and arts management.
  • Hands-on experience with real-world events, stagecraft, and community outreach.

These initiatives prepare graduates to thrive in both artistic and allied creative industries.

 

Career Outcomes

Graduates of the programme may pursue roles such as:

Performer | Researcher / Scholar | Event Organiser / Director | Actor |Playback Singer |Choreographer | Composer | Radio Jockey / Media Professional | Content Developer / Writer | Academician | Author / Critic | Art Entrepreneur

 

FAQ's

Who is the father of Carnatic Music?


Purandara Dasa is known as the "father of Carnatic music". He was a composer, vocalist, and philosopher who lived in present-day Karnataka, India.

What does MPA mean in Music?


MPA stands for Master of Performing Arts, a 2-year postgraduate degree programme specialising in the field of Music.

Who is the queen of Carnatic Music?


Madurai Shanmukhavadivu Subbulakshmi is known as the "Queen of Carnatic Music". She was an Indian classical singer who was the first musician to receive the Bharat Ratna, India's highest civilian honour.

What are the 7 Talas?


The seven talas in Carnatic Music are the seven families of talas in the Sapta Tala system. Each family has five variations, making a total of 35 talas. The seven talas in Carnatic Music are Triputa, Dhruva, Ata, Rupaka, Matya, Jhampa, and Eka.